![]() ![]() There were more swaths and monstrous prints, but there was no longer any house. From Lovecraft’s story: “The truth appeared an hour later, when a hastily assembled group of armed men trudged out to the Frye place at the head of the glen. The cover depicts a scene from Lovecraft’s “ The Dunwich Horror” referenced extensively in Providence #4. Appears to be a reference to the events of “The Horror at Red Hook,” where Suydam and his bride were found slain and Suydam himself reduced to a “staring corpse.” Providence #4 Providence #4 Weird Pulp variant cover, drawn by Jacen Burrows and painted by Michael DiPascale Providence #3 Providence #3 Weird Pulp variant cover, drawn by Jacen Burrows and painted by Michael DiPascale Picked up and dusted off by ready hands, he was found to be conscious, organically unhurt, and evidently cured of his sudden nervous attack.” Malone features prominently in Providence #2. At this point, without visible provocation, he committed his astonishing lapse staring queerly for a second at the tallest of the buildings before him, and then, with a series of terrified, hysterical shrieks, breaking into a frantic run which ended in a stumble and fall at the next crossing. This apparently depicts Tom Malone, of Lovecraft’s “ The Horror at Red Hook,” in Pascoag panicking as described in “Red Hook”: “had turned to his left into the main thoroughfare where several modest business blocks convey a touch of the urban. Providence #2 Providence 2 Weird Pulp San Diego Comic Con variant cover, drawn by Jacen Burrows and painted by Michael DiPascaleĪnnounced in this June 2015 Bleeding Cool article. Chambers, which featured prominently in Providence #1. Providence #1 Providence 1 Weird Pulp Chicago Comic Con variant cover, drawn by Jacen Burrows and painted by Michael DiPascaleĪnnounced via May 2015 Bleeding Cool article, this cover depicts the titular The King in Yellowfrom the book by Robert W. The Weird Pulp covers (at least #1 through #6) are all drawn by Jacen Burrows then painted by Michael DiPascale over Burrows’ pencils. The convention covers, so far all “Weird Pulp” covers were produced specially to be sold at various comic conventions. Beside their artistic merit, several of these covers have more to say about the contents of the book than readers might think. This page is Providence convention covers – for Neonomicon go here.Īvatar Press uses variant covers to promote its series, particularly short-run limited series like Moore’s.
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