![]() The RME Babyface Pro FS is an excellent sounding interface with the most stable performance, slick looks and top processing. If you need more assistance, don't hesitate to contact me.Īs with microphones, things start to become interesting in this category. If you need help on the microphones, check out my Best Microphones for Classical Guitar guide. Lastly, for the most part, I included audio interfaces also with portability in my mind, as for most of us, recording on-location is crucial. You shouldn't worry about specs with higher-end models, as they are all excellent, and small differences won't matter. I almost only mention specs on the low-end tiers because that level of performance has been brought to budget interfaces just recently. In every category, there are at least two options one for absolute sound quality and stability for the price range (usually with only two mic-preamps), and one with added versatility for more elaborate setups (with four or more mic-preamps). Ideally, what you'd want is a compact interface with two or four high-gain/low-noise microphone preamps, mastering grade conversion, high-quality headphone outputs and rock-solid performance. are not useful in the context of the classical guitar recording. Mic-preamp emulators, DSP plugins, transformer colour, character enchanters, etc. Most brands build their interfaces around popular styles, with features are developed and marketed towards those. ![]() ![]() Then, while it's true that almost any interface should work for any genre Classical guitar recording is a niché within a niché. Imagine recording for a day at a wonderful European old church, and when you return home to find out that there are glitches and artefacts in most of your takes. But, there are potential audio glitches and crashes that could ruin the recordings. Some issues are s mall annoyances audio glitches during playback, requiring random restarts for them to function correctly and unresponsiveness. But they are much subtler in comparison to the front- and back-end of the signal chain microphones and monitoring.ĭriver stability and reliability of the interface are of great importance cheap (sometimes even expensive) interfaces with badly written drivers can cause a lot of trouble. The differences are there in preamp and conversion quality, headphone output quality, additional features, and overall performance. That's not to say that more high-end interfaces are overpriced and have nothing to offer. My advice regarding interfaces is to buy the best microphones your budget allows, then consider monitoring (either monitors or headphones, or both) and with the rest of your money buy any interface you can afford. How much money should you spend on an Audio Interface?īuilding a home studio, or a mobile recording setup is possible even without spending a lot of money. Also, the requirements of the classical guitar recordist are pretty specific, so you want to make sure that you pay mainly for the features that you will use. The main reason is that you don't want to change interfaces every couple of years, so picking one that will serve you well for several years is essential. Still, the choice of the best audio interface for you is non-trivial. Most of the Audio Interfaces on the market today are decent enough for the casual recording of the classical guitar most have a relatively clean AD/DA conversion and clean sounding mic-preamps.
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